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"Laudas"
à música antiga espanhola ("Laudas"
to early Spanish music)
Cristina Fernandes
Público. Mil Folhas. Música clásica, 29/12/2006,
p. 22-23.
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'"[...]
It gives beauty to the music of Romero […], the main interest
of this performance lies in the colour the instruments confer on the
polyphonic texture
[…], the very beautiful Tota pulchra es Maria. La Grande
Chapelle's performance is serene and spiritual, without rhetorical
emphasis or traces of dramatic quality even when the text may call
for it, as happens, for example, in Dies irae". |
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M. Romero: Requiem
para Cervantes (Requiem for Cervantes)
Albert Edelman
Tijdschrift Oude Muziek, August 2006, p. 88. |
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"The
way La Grande Chapelle has entered the market could be described as
an offensive, with three discs published almost simultaneously.
[…] Àngel Recasens goes for a performance with control
[…]". |
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Requiem para Cervantes
(Requiem for Cervantes)
Graig Zeichner
Goldberg Magazine, nº 38, February 2006 p. 89.
5 Stars Goldberg
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"[...] His Missa
pro Defunctis, as well as the liturgical music of Pedro Ruimonte
and Sebastián López de Velasco that completes this
list, are magnificently performed by La Grande Chapelle and Schola
Antiqua. The vocal passages are tackled with great ability and the
instrumental accompaniment (wind and string) is discrete and balanced,
with a beauty that is evident above all in the mass introit".
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Cuando Carlos V...
(When Charles V…)
M.B.
Luister, February 2006
Luister 9
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| "[...] La
Grande Chapelle is no less that a group at the pinnacle". |
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Réquiems españoles
(Spanish Requiems)
Rafael Banús
El Mundo. El Cultural, 26/11/2005
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"[…] The Grande
Chapelle's performance […] combines stylistic rigour with intense
emotion".
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El
nuevo sello Lauda... (The new Lauda label…)
Nicolas Blanmont
La Libre Belgique, 23/11/2005
3 Stars La Libre Belgique
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"[…] The result
is a perfect combination of contrasts -in sound and style- and a
powerful artistic unity".
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Público. Mil Folhas. Música clásica, 29/12/2006,
p. 22-23.
